Saving my Sanity ...: audibook

It was a lovely coincidence when Susan from You Can Never Have Too Many Books, Nymeth from Things Mean a Lot and I all discovered we were reading (or in my case listening to) Susan Cooper’s The Grey King. We decided to share some questions with each other and all answer them. It was very interesting to see or different and/or similar responses to the same questions. So, without further rambling, here are our thoughts of some aspects of The Grey King.

What did you think of the book's sense of place?
(Question from Nymeth)

My response:
I am not a visual reader. I don't get an image in my head when I read (or in this case, listen), rather I get I kind of emotional connection to what I'm reading. I found myself feeling very grounded while reading "The Grey King". I've never been to Wales and have no real idea what that is like, but I had a real sense of the farm and the sheep and the mountains. I could almost picture woolly mountain sheep and sharp crags and the grazing pasture. My sense of the mountain and lake at the end wasn't quite as sharp, but it was certainly there. So despite the lack of pictures, I felt well-immersed in the book.

Nymeth’s response:
It was one of my favourite things about it. Last year I spent a week in Wales, in the same area where the book is set, and reading, The Grey King brought back so many memories. Susan Cooper’s descriptions are very beautiful and vivid, and I think that in addition to that she really captured what North Wales feels like. A feeling of ancientness and also of…confinement, perhaps. I don’t mean this negatively; the place really is stunningly beautiful. But the valleys and the mountains can feel haunting and a little entrapping. As that feeling is a big part of what’s at the heart of this story, the setting couldn’t have been more perfect. You can see some very nice pictures of Gwynedd here and here.

Susan’s response:
I agree with both Ana and Kerry - the sense of place was very strong in the book. I like how Kerry put that it made her feel grounded in Wales. I could see the hillside, and the lake, and the sheep. I haven't been to Wales, and yet like you Ana, I felt the sense of isolation that the mountains ringing the valleys gave, the remoteness from the rest of the world, that mountains give. I have lived in a mountain range, in the BC interior, and also on Vancouver Island, and I can say that mountains do give a very definite sense of space. Cooper really makes the scenery, the mountains, the landscape, part of the story. All of the important events take place outside, so it seems the battle of Light and Dark is for the earth itself. I really liked the sense of place in this book.

Share a favourite moment/scene.
(Question from Nymeth)

My response:
Gosh, this turned into a surprisingly hard question. I'm not sure why, but it did. When looking back at the book, I keep finding myself thinking of the lake at the end - the lake in the pleasant place. For all the action and danger that happened there, I find myself with an image in my head of a beautiful, and indeed peaceful place and so I'll choose Will's time by the lake as favourite moments, even though I know this is a vague and very indefinite answer.

Nymeth’s response:
I loved the scene where Bran tries to teach Will to pronounce Welsh sounds, particularly the “ll” sound. It made me smile, and it brought back memories of my lovely hostess in Wales explaining some of the very same things to me. Especially the morning my boyfriend and I went to Llangollen. We had to find a bus that would take us there, and that involved asking bus drivers and attempting to pronounce the dreaded “ll” twice in a single world. I can’t say we did too well, but everyone was extremely helpful regardless.

Susan’s response:
"The bracken-brown slope lay still beneath the sunshine, with outcrops of white rock glimmering here and there. A car hummed past on the road below, invisible through trees; he was high above the farm now, looking out over the silver thread of the river to the mountains rising green and grey and brown behind, and at last fading blue into the distance. Further up the valley the mountainside on which he stood was clothed dark green with plantations of spruce trees, and beyond those he could see a great grey-black crag rising, a lone peak, lower than the mountains around it yet dominating all the surrounding land."

Cooper fills the books with a lot of description. What effect did this have on your reading, did it enhance it or make it falter? There are also a lot of Welsh words; did they cause you any trouble?
(Question from me)

My response:
As I said earlier, I'm not a visual reader, so Cooper's descriptions didn't draw pictures in my head. Instead, it was the power of the words in her descriptions that caught me. She uses metaphor and simile beautifully and they add greatly to the power of the book. I marked a few that particularly struck me as I was reading (and I also noted she used the sky and birds as part of her scene setting a lot).

"Birds whirred away from him; somewhere high above, a skylark was pouring out its rippling, throbbing song."

"The voice crawled like a slug over Will's skin."

"Will could sense the man's anger and malice whirling round his mind like a maddened bird caught in a room without exit."

As for the Welsh, here I think I had a huge advantage listening to the audio rather than reading the print book. All the Welsh words were pronounced correctly (or so I assume) for me and I didn't have to stumble over all those consonants on the page. The Welsh characters were also given Welsh accents which added to the sense of place I had for the book. It was an excellent recording and I really enjoyed listening to it. (And as an interesting aside, it was the only book of the five in the series that had a different narrator from all the others. I find myself wondering if the original narrator couldn't handle the Welsh and this book was given over to someone else. I shall be interested to continue listening to Silver on the Tree with the other narrator as, so far as I recall, parts of that take place in
Wales too.)

Nymeth’s response:
I loved her descriptions. I wonder if having been to Wales helped me visualize the landscapes more easily. It’s possible that I wouldn’t have imagined it all quite as vividly if I hadn’t been there, but then again, I haven’t been to Cornwall and she really brought it to life in Over Sea, Under Stone and Greenwitch. I also loved her inclusion of Welsh. It wouldn’t have felt quite as authentic without it, and plus I just love how the language sounds. It could be my imagination, of course, but I actually think that Welsh sounds old. On a side note, the number of Welsh speakers has increased in recent years, which makes me happy and relieved. Anyway, Kerry, I imagine that the audiobook really was an advantage for you. For me, as I’ve had some exposure to the language before, I could mostly hear the words in my mind. I probably didn’t always imagine the sounds correctly, but Bran’s explanations really helped.

Susan’s response:
The description brought Wales to life before my eyes. While I can't speak Welsh, I want to learn it, and I enjoyed seeing it used in the speech and names and places of Wales. It adds to the exotic feel of the setting, and enhances the myth being told. I really enjoyed learning a bit about speaking Welsh, although I think it will be long and a trifle difficult!

John Rowlands speaks of a coldness at the heart of the Light. What do you think about this?
(Question from me)

My response:
This particularly struck me (which is why I asked the question). We like to think of the good guys as being, well, the good guys. They do the right things for the right reasons and don't hurt anyone or anything. But doing the right thing can be hard and it can be painful - and sometimes the decision has to be made that it will be hard and painful for others, which seems far more arrogant that deciding such a result for one's self. Will is there to fight for humanity's future, but that doesn't mean it's going to be easy or kind or merciful. He's there to do what has to be done and there's a possibility he might need to sacrifice some of his own humanity to do it, which doesn't feel like it's the right answer. It's what an Old One is called to do and perhaps not something we mortals could manage. It leaves me feeling uncomfortable, just as John Rowlands words left Will feeling uncomfortable.

Nymeth’s response:
I’m so glad you asked this question, Kerry. It touches on one of my favourite things about this series, and I probably wouldn’t have remembered to bring it up otherwise. The Dark is Rising Sequence tells the story of an epic battle between the forces of Darkness and the forces of Light. If I were told this and only this about the series, my reaction would probably be “meh”. See, I’m not much of a fan of moral absolutes, and taken out of context, that seems to be what this is about. But the brilliant thing is that Susan Cooper uses this premise to tell a story about shades of grey and complex choices and humankind’s potential for cruelty, kindness, and everything in-between. For me, the coldness at the heart of the Light John Rowlands brings up is self-righteousness, judgement and mercilessness; the demand for perfection without taking into account that humans make mistakes, and that to make a mistake doesn’t automatically makes you a horrible person. That is indeed a dangerous thing. And that’s part of what makes Will such an interesting character. He’s an Old One, yes, but he’s also a young boy. And that makes him humble and kind, which is why he plays such a crucial role.

[Note from me: Nymeth has managed to sum up much better what I was trying to say than I managed myself. Thank you, Nymeth.]

Susan’s response:
I think it is appropriate - how many times have we read where wizards, or magic users, or others who have access to memory or knowledge beyond their time, who act in ways the characters think is cold, only to find it had the best result? However, I've never thought of it as cold, because there is a difference between the heart of the Light and the Dark, and what happens to the characters shows that difference. I'd probably turn to John Rowlands and ask him how he thought warmth at the heart of the Light would be like! thank you for doing this! I had so much fun! Certainly, Kerry, I think Ana and I can send you our questions and answers for Silver on the Tree. I understand completely needing to take your time with reading it.

Do you think The Grey King deserves the Newbery Medal? Why?
(Question from Susan)

My response:
Here I admit to my ignorance of things American. I knew the Newberry Medal went to children's books, but that was about all, so I had to go and look the details up on Wikipedia. It tells me the award goes to the most distinguished contribution to American literature for children. Being neither American nor aware of what other books were published for children in the USA back in 1976 when it won, makes it rather hard for me to answer this question. However, I think it is an excellent book that not only tells a good story, but introduces its reader to beautiful and haunting writing, difficult moral dilemmas, pain and heartbreak and success. It brings old legends to new life and encourages the reader to find out more about them and draws us in to the age old struggle between the Light and the Dark. For those reasons I think it is a book that deserves to be well known and well read, but I still find it interesting that such a very British book should win a US award (I see - from Wikipedia again - that Cooper married an American, which I guess is what made her eligible). Sorry, I haven't really answered the question, have I?

Nymeth’s response:
I, too, have to admit my ignorance when it comes to book awards in general. It’s hard for me to come up with an answer that is more elaborate than “yes, because it’s a great book”. Awards like the Newbery are great because they bring books to people’s attention, and that’s always a good thing. But I’m someone who believes that ultimately, they don’t mean much more than that the people responsible for choosing the winner liked the book. I don’t mean this dismissively – the Newbery winners are chosen by librarians, and librarians are generally sensible and well-read and awesome in all sorts of ways. So I care about their opinion, and I want to know what their favourite book of the year is. But still, I don’t think any award should be looked at as the ultimate definition of what quality is, even one as cool as the Newbery. So I’m not sure about deserving, but it’s an intelligent, beautifully written and complex book, and I’m happy it won.

Susan’s response:
Yes is the quick answer. Yes, The Grey King deserves the Newbery Award. Why? Because it takes myth and legend, and shows that they are rooted in real things, and that above all, faith, and love, show the way. There is such a strong sense of place here, that children can really picture it - the mountains, the lakes, the farms. There are places in this story where the characters could choose to go to the Dark, and by showing this, Cooper makes the characters fallible and real. Children reading this book can see that being good or bad is a choice, a state of mind. But it's not dull or a treatise, it's an adventure story, and it's well-done.

Did the riddles Ban and Will have to answer make you want to go find Welsh myths and folktales? What did you think of the answers?
(Question from Susan)

My response:
This is a reread for me. Although I suspect that on my first reading it did send me out to find out more about the myths and tales. I don't remember. I've certainly been through my Celtic and Arthurian mythology phase before now and accumulated a good collection of books and information on the subject. I'll always be a bit of a sucker for a good incorporation of Arthurian legend in the modern day (which I think Cooper does brilliantly in this series) and I'm sure that remains part of why I still love it to this day. On this read, I could see the parallels building and enjoyed recognising at least some of the things Cooper was using in the story, but I didn't feel the need to go researching. Been there, done that, loved it.

Nymeth’s response:
Yes! Yes they did. I think 2009 will be the year when I finally read The Mabinogion. It’s really about time. I felt that there was a lot I missed about the riddles. I mean, I trusted Will and Bran to be doing things right, and my ignorance never actually pulled me out of the story. But I’m sure I’ll appreciate the inner logic of the whole thing a lot more on a second read. Kerry mentioned the incorporation of Arthurian myth, and I have to agree. We can’t say much about this without giving too much away, but it’s done brilliantly.

Susan’s response:
One of my favorite scenes is the riddle scene. I love how Cafall helps Bran, and I really love the answers. I also like this fantasy tradition, where the hero has to answer a riddle. This is part of Welsh bardic training, where knowledge is passed through riddles. The whole setting of the riddles is fantastic, and the answers made me want to run and read all the myths and legends, and Evangeline Walton's series, and the Mabiniogon, The White Goddess which I have started twice now, everything I can find so I can find those answers to the riddles. Part of my heritage is Welsh, and I feel like I've been given a key to it with these riddles.

I’ve never done a group “review” like this before and I really enjoyed it. I’m currently listening to Silver of the Tree and I’m about a quarter through. If I promise to concentrate to getting it finished, I’m hoping Susan and Nymeth (both of whom have finished the book I believe) will wait for me and we can do this again with the next – and last – book in the Dark is Rising Sequence. Please do check out both Susan’s and Nymeth’s blogs as they are both brilliant bloggers (and much more eloquent than me) and I was delighted to get to play with them.

A quick comment on my reaction to the book as a whole; in short, I loved it. I really appreciated listening to it and getting all the Welsh and Welsh accents (and since I’ve now listened to more of Silver on the Tree than when I originally answered the questions I can say that while the main narrator’s rendition of the Welsh is perfectly fine, the alternate narrator who did The Grey King was much better). That really added to my enjoyment and this has proved to be the first book for the year that I’ve rated 10/10.

The Grey King
Susan Cooper
The Dark is Rising Sequence, Book 4
Audiobook
10/10

Qualifies for: 100+ Reading Challenge

The Dark is Rising:

Greenwitch, the third in Susan Cooper's The Dark is Rising sequence, is just a little book. I don't know how many pages the paper version runs to, but as an audiobook it was only four and a half hours long. I actually started it last year, but stalled when Christmas got in the way, so I started it again earlier this week (mostly so I could include it in my 2009 challenges I admit). I finished it in a few days, something that is most unusual for me with an audiobook.

Greenwitch begins with the theft of the grail the Drew children found in Over Sea, Under Stone. Merriman quickly recruits them to try to recover it and they return to Trewissick, soon finding themselves joined by Will Stanton and Captain Toms, the owner of the Grey House where they stayed the summer before. This is really Jane's story, with her brothers and Will as the supporting cast, further supported by Merriman and Captain Toms.

She is invited to witness the making of the Greenwitch, a massive creation of wood and stones that the women of the village make through the night once a year. At daybreak, the Greenwitch is tipped over the cliff into the sea. Jane is told that she is welcome to make a wish on the Greenwitch, like the other women of Trewissick. Impulsively, instead of wishing something for herself, Jane wishes for the Greenwitch to be happy, a wish that will have major consequences.

Meanwhile, Simon and Barney have an encounter with an agent of the Dark, who has the grail and is trying to recover the manuscript that came with it and ended up at the bottom of the sea at the end of Over Sea, Under Stone. But it is the Greenwich who has claimed the cannister holding the manuscript and who recovers it will be a major factor in the current balance between the Light and the Dark.

This is Jane's story and she shines here. She is the quieter, more thoughtful one compared to her brothers, but in this case those are the attributes that are needed to reach the Greenwitch and persuade it to give up its "secret". The end scene, with Will, on the rocks, is lovely and it is only the thoughtful girl and the Old One in the guise of a boy that would think to give the Greenwitch a new treasure to protect. It would never occur to Simon or Barney, and that most likely is why this is not "their" book. They took centre stage in Over Sea, Under Stone and now it is Jane's turn.

Alex Jennings is an excellent narrator and it was a pleasure to listen to him reader Susan Cooper's lyrical prose. She can shift easily between lively interaction between the characters and evocative descriptions of the location or magical events. The Wild Magic is prevalent again in this book and it is beautifully described and beautifully narrated.

I'm thoroughly enjoying my reread of this series and I look forward to The Grey King, although I'm going to be listening to Magician's Gambit next. I figure that alternating between the lyrical and thoughtful Dark is Rising books and the light and fun Belgariad books should be a nice balance.

Greenwitch
Susan Cooper
The Dark is Rising, Book 3
8/10